![]() Trubkovich spends roughly a month making each painting, with the help of three assistants. When he sees an image he likes, he takes a photograph of the screen, transfers the picture to canvas, and begins the multi-layered oil-painting process. He dubs and re-dubs the tape, so the material starts to degrade. To create his paintings, Trubkovich starts with footage from VHS tapes. (“The wall cannot withstand freedom,” Reagan said, his words broadcasted throughout North America and Western Europe.) show will also include several “Ronnie” paintings, a continuation of Trubkovich’s series of works based on footage of Ronald Reagan’s “Tear Down This Wall” speech at the Brandenburg Gate, near the Berlin Wall, in 1987. He is self-taught, and started exhibiting in 2005, making a name for himself with videos and large-scale oil paintings based on grainy film footage. “My work is about remembering and forgetting.” “I have a feeling of being nowhere, of impermanence, of non-identity,” he said. This personal history is a rich source for his work, which deals with memory, identity, rebellion, and imprisonment. Trubkovich, 35, spent his early years behind the Iron Curtain, and his family immigrated to the United States when he was eleven. “The song takes on a different meaning in another culture.” “I want someone to walk into this show and understand what it means to be upended.”Ī version of this story originally appeared in the January 2015 issue of ARTnews on page 34 under the title “Lost in Translation.“The video is about a dislocation of meaning and things being obscured,” he said. “The act of disappearance is something I relate to,” Trubkovich said. In both the “Ronnie” paintings and House of the Rising Sun, cultural icons lose their original meanings when they’re repeated and changed. ![]() Recently he developed a similar process for his videos that includes transferring Internet footage onto 35-millimeter film, cutting and rearranging the frames, distorting the film, and painting on it. ![]() “The video is about a dislocation of meaning and things being obscured,” he said.
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